Bobby Lloyd works with found objects.  Particularly for the works in the exhibition, objects left behind in burnt out and demolition sites: fragments of books, pots still with patina from being held.  The fragility of these abandoned objects is moving.  Yet in seeing one pot after another, they also become ordinary, banal.  They may make us think, there have been these pots, and there will be others to come.

There is also the relationship between the objects and their vitrines.  We usually pay little mind to display units as it's the contents we want to focus on.  Here, they quietly draw attention to the act of preservation.  We can see some of the containers allowing the contained ample room to breathe while others enclose their objects claustrophobically.  Some provide sturdy protection whilst others are even more fragile than the objects.  The containers can be read as metaphors for our need to hold on dearly, and also questions whether we can?

For this exhibition, Beinart will use the film strips as templates in a woven lace work, once more transforming the works and stories anew.  She will be artist-in-residence in the gallery, and whilst she weaves, she will be inviting viewers and passersby to offer their memories and stories of place, whether of the gallery's neighbourhood, Shoreditch - a cross roads of old East London traders, the advancing financial district, trendy bars and start-up dotcom businesses - or of elsewhere.  Beinart's work may make us wonder: how are memories constructed?  How do they transfer between us?